SaskCulture
About Us
Our People
Board of Directors
Volunteers
Staff
Volunteer Peer Assessor
Our Role
Overview
History
Strategic Plan
Year in Review
Other Resources
Our Annual Events
Annual General Meeting
Programs
Funding Programs
Our Grants
Logos & Acknowledgement
Find a Grant
How to use the Online Grant Platform (OGP)
Funding Program Renewal Project
Application Assistance
Accessibility Fund
SaskCulture Programs
Creative Kids
Culture Days
Organizational Support
Indigenous Awareness Hub
Organizational Resources
Diversity and Inclusiveness
Cultural Planning
Nonprofit Lifecycles
Consultant Directory
SaskCulture Respect Resource Line
Impact
Our Reach
Success Stories
iheartculture.ca
What is Culture?
Cultural Benefits
E-Update
News
Careers in Culture
Important and Commemorative Days
Network
Members
Member Benefits
Member Directory
Become a Member
Membership Renewal
SaskCulture Members Say...
Bouncing Back Survey Says
Partners & Initiatives
Our Partners
Tri-Global Partnership
Resilience & Respect: Canada 150 & Beyond
Our Grants
calendar_month Events work Jobs & Opportunities menu_book Engage login Grants Login g_translate Translate
  • Our Reach
  • Success Stories
  • iheartculture.ca
  • What is Culture?
  • Cultural Benefits
  • E-Update
  • News
  • Careers in Culture
  • Important and Commemorative Days

Workshop Helps Preserve Métis Traditional Art Form

By: Busayo Osobade November, 2021
Share Tweet

In this issue

Cover of Engage Magazine Fall 2021 - A person stands overlooking a field. Engage - Volume 12, Issue 1, Fall 2021

Related Programs

Métis Cultural Development Fund

Cultural Areas

First Nation and Métis Specific Métis

Keywords

MCDF Métis

Beading and storytelling are part of many Indigenous cultures – and are often key to sharing traditions with new generations.  This year, Gabriel Dumont Local #11, a Saskatoon Métis organization, offered a new beading workshop to its members, with the aim of sharing stories and reviving a traditional art form.

Cheryl Troupe, member of the Local #11, says the biggest goal of the Sewing Circle: Octopus Bag and Storytelling Workshops was to bring people together to learn how to make these types of traditional bags, because there are not a lot of people still around that make them.

“By making these bags, we are reviving an age­old cultural practice. We wanted to make sure that skill and knowledge was preserved and that people who gained this knowledge could continue to share,” she says adding that the workshop has given 12 Métis beaders and sewers the “skills to make them, a step­by­step guide on how to make them and the history behind the bags.”

Troupe explains that the Métis traditional bag is influenced by Anishinaabe fire bags and are named “Octopus Bags” due to the eight legs hanging at the bottom of each bag.

“Historically, the bags were decorated with beadwork, embroidery or quillwork. They were usually decorated in similar but different patterns, on both sides,” she says. “These were commonly used by Métis men in the 18th and 19th century to carry tinder, flint, tobacco and other necessities.”

The virtual workshop, which ran from February to May in 2021, was supported with funding from the Métis Cultural Development Fund. Participants learned the skills to make these bags, which took at least 300 hours to complete. The training was led by Greg Scofield, a talented beadworker, who is also poet and a storyteller. Scofield shared historic pieces from his personal collection, as well as the history of traditional Octopus Bags, sewing techniques and beading designs. “There were lots of good storytelling and laughter,” says Troupe. “Everybody that was participating shared their own stories about learning to sew or bead from their grandmother, mother or someone in their family. Through sewing, all of those kinds of stories came out.”

Many personal stories were also sewn and beaded into each traditional bag. Troupe says she was thinking about wildflowers she grew up knowing while creating her Octopus Bag.

“Each bag is unique and has its own story. Many of us will teach others and by this, we are rejuvenating this art form,” she says. “We had a member of our Local, who looked at a design that her great grand­mother had beaded and incorporated similar designs into her bag.”

The bags created were featured in an arts exhibit at the Batoche National Historic Site and the Motherwell Homestead National Historic Site.

“Everybody was really pleased with their bags. Some were surprised they could do something so elaborate and so beautiful because it was a tremendous amount of work.”

We are Treaty people

SaskCulture's work and support reaches lands covered by Treaties 2, 4, 5, 6, 8, and 10, the traditional lands of the Cree, Dakota, Dene, Lakota, Nakota and Saulteaux peoples, as well as homeland of the Métis.

We aim to be accessible and safe for everyone

Our office, including front door and washrooms, is wheelchair-accessible (building access at Cornwall Street entrance) during regular office hours. A proud supporter of safer and inclusive spaces initiatives, we are committed to a workplace free from hate, discrimination or harassment, where everyone is welcome.

Get the SaskCulture e-Update

Get the news on funding deadlines, development opportunities, job opportunities, award winners, community highlights and more.

Sign Up

Funded by

Funded by Sask Lotteries

Contact Us

  • #404, 2125 - 11th Avenue
    Regina, SK   S4P 3X3
  • info@saskculture.ca
  • (306) 780-9284
  • Office Hours:

    8:30 am - 12:00 pm
    12:30 pm - 4:00 pm

Connect with Us

Disclaimer
Design + Development: Structured Abstraction